The Black and White Master Print with
George Dewolfe | Workshop - 5 days

A masterpiece is the result of an artist’s individual authentic genius. That authenticity forms presence, the final result of light working on the forms of an object or scene. An examination of all great master painters and photographers in history shows that this specific relationship of light on form creating presence in the print is the key element of an authentic masterpiece. This workshop advocates this relationship and lays out the perceptual and technical skills necessary to practice and achieve presence.

The workshop starts with an detailed explanation of presence and shows how it operates in both old master paintings and photographs. Students then spend three days learning and practicing the perceptual and photographic skills necessary to achieve presence. Included in this three days are intense still life photography in the classroom with several objects and setups, one day on location, and learning perceptual correction skills and tools on the computer using Lightroom and Photoshop. For simplicity, we will use no more than five specifically chosen tools. The emphasis here is on the living process of perception and presence, not the complication of imaging tools and techniques. The last two days will be spent on printing inkjet photographs for presence achieved in the images.

This workshop encompasses very advanced perceptual practice with simple tools. The reason behind this thinking is that we, as artists and photographers, are the creators of a masterpiece and therefore our perceptual abilities must be honed to an infinitesimal degree. Our tools should be simple, elegant, and few, and yet complete enough to create any effect of light and form we need to produce presence. Advanced seeing, simple tools.

Schedule:

Monday morning:
The Qualities of a Black and White Photograph
Learning to See Luminosity
Learning to See how the Camera Sees Black and White Values
Image Capturing


Monday afternoon:
Photography

Tuesday morning and afternoon:
Photography


Wednesday morning:
Overall Workflow in Lightroom/Camera Raw
Optimization and Balance in Photoshop


Wednesday afternoon:
Local Adjustments in Photoshop
Sizing and Sharpening

Thursday and Friday:
Printers and Print Engines
Papers for Fine Art Printing
Color Management
Profiles Chapter
Extensive printing

Instructor: George DeWolfe

Prerequisite: Intermediate knowledge of Photoshop CS2, digital camera operation, and basic printing skills are requirements for this workshop. A knowledge and practice of George DeWolfe’s Digital Photography Fine Print Workshop (available from www.amazon.com) is encouraged before taking this Master Print workshop. The Master Print is intended as the next step beyond the basic Digital Fine Print workshop.

Equipment: You should bring a digital camera, tripod, and accessories such as flash media, batteries, also you will need your laptop or destktopcomputer to work with.

Dates: Monday, April 9 - Friday, April 13 | 9:00 am - 5:00 pm

Cost: $1095.00 (includes lab fee) / 30% non-refundable administrative fee 



View Images from Students of George DeWolfe

Read more about George DeWolfe

Read George DeWolfe's Personal Statement

To learn more, visit his website.

6 Week Classes
Introduction to Photography
Intro to Sports Photography
Intro to Studio
Intro to Digital Photography
Photographing Your Baby
Outdoor Photography
Environmental Portraiture
Photojournalism
Conceptual Photography
Intermediate Digital Photography Photoshop Elements For Beginners
Photoshop CS3 For Beginners
Lightroom Lab
Intermediate Photoshop

Workshops
Photo Book
with Alice Keeney


Lecture and Critique
with Sam Abel
l

The Power of Light
with Bob Croslin

2008 Course Sessions
Jan 7 - Feb 15
March 3 - April 16
April 28 - June 9
June 30 - Aug 8
August 25 - Oct 6
Oct 27 - Dec 12
Read more here.